![]() | You are viewing Log in Create a LiveJournal Account Learn more |
The Art of The Thin Red LineRecent Entries | ||
|
|
You are viewing the most recent 15 entries.
23rd June 200625th September 2004
:
Malick's film is much more subconscious, concentrating its energy into how men in battle draw themselves away from the reality and fear that surrounds them at all times. Interspersed with the very detailed battle scenes are what could most closely be termed dream sequences, where the soldier's need for familiar memories help to shield them from the dangers just past any of the next ridges.
What I found completely compelling about the concept of trying to escape the horror through the hopes of returning to the life in your memories, is that everyone of these men had the past as their only link to home. None of the hopes and dreams felt inside were ever what the present had to offer. With letters from home, the reality of these men's lives had to modified and their hopes compensated for. Peter M. Bracke 1st June 200420th January 200411th January 20049th January 20047th January 20045th January 200431st December 200322nd December 200321st December 2003
:
Everything a lie. Everything you hear, everything you see. So much to spew out. They just keep coming, one after another.
You're in a box. A moving box. They want you dead or in their lie. Only one thing a man can do - find something that's his, make an island for himself. If I should never meet you in this life, let me feel the lack. One glance from your eyes, and my life will be yours. 20th December 200319th December 200318th December 200317th December 2003 |
|